Advanced Painting
with Nick Archer
Autumn Term 2025 Course Dates
16, 23, 30 September
7, 14, 21 October
(Half term 28 October)
4, 11, 18, 25 November
2, 9 December
This course pursues traditional painting techniques along with contemporary approaches to painting. Aimed at the advanced painter, there are options to include drawing, printmaking, collage, and photography alongside painting to expand and enhance your practice.
Autumn Term 2025 Course Details
The painter Johannes Vermeer (1632 -1675) is widely thought to have used a camera obscura to project an image onto the canvas to create his paintings.
In fact artists have used modern methods and techniques to create great art throughout history.
This course will help you use photographs as reference material. We will look at how photographic reference has helped artists create paintings using techniques such as the grid or projecting the image onto a canvas. We will reference traditional and contemporary artists as we look at these techniques and you will be offered the opportunity to try these techniques yourself. A focus of this course is to explore how using a photograph as reference not only opens up the subject matter to a wider range of possibilities but also will allow you to explore mark-making techniques and different tools to make marks such as palette knives and rags as well as the traditional brush.
Vermeer Woman With A Jug
Advanced approaches to working from photographs
You will be asked to find or take photographs of your chosen subject. It may be an image you already have of a landscape or family snapshot, or you may want to set something up in the studio to take photographs of. You will have the opportunity to change the colour or composition of the selected photograph using Adobe Photoshop. You will then be shown different options for enlarging this onto your canvas such as using a grid and projecting the image. Alternatively, the photograph may be used as a starting point for a painting from the imagination.
Hockney Splash
Once your image is sited on your canvas the painting starts
We will look at different techniques to use with either oil paint or acrylic to achieve the paint quality you are looking for. You will be encouraged to use the paint thinly to start but then build up learning impasto techniques whilst exploring different colour options.
The primary focus of this course is painting but other methods such as monoprinting using the table press, collage and drawing will be offered to complement your practice.
Archer Shattered
Materials
Sketching materials
Paper (or sketch book)
Watercolours or acrylics (range of colours)
Pencils
Rubber
Charcoal
Studio materials
Canvas or board (idealy with a coat of beige/light red base colour)
https://www.jacksonsart.com/clear-primed-rough-linen-cl681-on-mdf-board-30-x-
40cm/?___store=jacksonsart_en&acc=2e7ceec8361275c4e31fee5fe422740b
Oil colours or acrylics – suggested colours – titanium white, ultramarine blue, viridian green,
yellow ochre, lemon yellow, cadmium red, alizarine crimson.
introductory-set-6x40ml?___store=jacksonsart_en&acc=2e7ceec8361275c4e31fee5fe422740b
Low odour thinners (such as Sansodour, Shelsol or Zest)
https://www.jacksonsart.com/jackson-s-pure-sol-low-odour-solvent-studio-safe-with-high-flash-point-
500ml/?___store=jacksonsart_en&acc=2e7ceec8361275c4e31fee5fe422740b
Range of brushes
https://www.jacksonsart.com/pro-arte-polar-brush-wallet-set-of-5-2-4-6-8-round-3-8-
flat?___store=jacksonsart_en&acc=2e7ceec8361275c4e31fee5fe422740b
Rags
2 x jars
Pallete knife
https://www.jacksonsart.com/r-g-m-palette-knife-no-
54?___store=jacksonsart_en&acc=2e7ceec8361275c4e31fee5fe422740b
If you already have materials but not quite the same range of colours, that isn’t a problem: just bring what you have.
If you need to buy any materials and need advice, don’t hesitate to ask.
Reviews for Nick Archer:
“Nick Archer is a very supportive and encouraging tutor, who guides each of us to develop his/her own style. However, far from letting us “run wild,” he is first-rate at ensuring we properly observe, analyse, see correctly, and learn, when relevant, to use colour and tone. All this applies equally to his life drawing and painting classes. Having appreciated that you have grasped the basics, Nick will help you branch out and run wild if you wish!”
— Alison R Noyes
“Nick Archer has a wealth of technical knowledge combined with an ability to stretch the boundaries of what is possible. Always supportive and willing to give constructive advice and feedback were required. I can't recommend his classes enough.”
—Helen Rawlinson
Nick Archer
Nick trained at the Royal Academy Schools in London (1996-1999) and is a BP Portrait Prize finalist. He was a member of the Royal Society of Portrait painters from 2000 – 2008. He has won several awards, including 1st at the Hunting Art Prize in 2001. He has exhibited extensively in the UK and Europe since 1999, including solo exhibitions with Louise Alexander Gallery (Porto Cervo, Italy), Sarah Myerscough Fine Art (London), Long and Ryle (London), Galerie Hug (Paris), Gowen Contemporary (Geneva) and with Christine Park (New York).
Nick is represented in London by Long and Ryle, in New York by Christine Park and in Geneva by Gowen Contemporary.
He is well established as an international artist and teacher, with a busy schedule of exhibitions and commissions.